This is the companion set to "No Other Alias" with Ali and Sarah. This is the sort of editing I dread, when I can't push out the yellows and greens. This might be silly, but the way I deal with this best is to shoot at a different time of day. In regards to No Other Alias, we shot that along the path and for In Season, we took cover in the trees. The search for diffused light continues.
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